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I’ve gone to far too many events this past week. If I don’t put an end to this quick, I may become “normal”…

I took it to the next level tonight, though, by traveling into the future to see Green Day’s New Years Eve concert at LA Live. Well, sort-of. NBC was filming the concert with Carson Daly as the host. They gave us all new years hats and had us all count down from 30 as if the ball was dropping on New Years Eve. Apparently they’ll air this then. TV Magic!

After the count down, Green Day came on with a “Happy fucking New Year!” and rocked the stage for the rest of the night. Their performance was complete with explosions, fireworks, and a good mix between their newer stuff and the older stuff I was listening to on tape when I was eight years old (holy crap) in elementary school. Better yet, a friend I hadn’t seen in ages was down to visit family for the week, so I met her and her brothers there and caught up. Good times!

Just saw The Whigs live at the Troubadour — what a kick-ass show! The owner of my pizza place turned me on to these guys a year or so ago and I’ve been a big fan ever since.

Opening for them was The Dead Trees and The Features. I had heard of neither, but they both put on great sets of their own — I bought their CDs right after the show.

If you’ve never heard The Whigs before, they are giving out two songs from their upcoming CD “In The Dark” for free from their website.

I’ve recently started re-watching the entire Battlestar Galactica series from the beginning, and I’m finding it surprisingly awesome considering I already know how it plays out. A big part of what made BSG great is all the little interactions between the characters, and these are first things you forget. So, I’ve still got a lot to enjoy.

I watched The Plan on Blu-ray today. In it, you follow two Cavils while they plot and execute their plan to destroy humanity. It takes a lot of the memorable moments of suspense from the miniseries and season one — when you knew something was happening but weren’t given all the details, or when you suspected someone of being a Cylon, etc. — and expands them to show you what was really happening using a lot of old material is used to seamlessly transition into the Cylons’ point of view.

I’m really sad to say that the only part I liked about The Plan was Dean Stockwell’s frakkin’ amazing acting and Bear’s equally great score. The Plan has a lot of problems. First and foremost is that it’s literally a recap of the miniseries and season one — there’s no new story. If I had to guess, 25 to 50% of the scenes were actually old aired footage. Another problem is that all those great moments lost their suspense by being expanded. And the last major problem is that the new material focuses on the “bad” Cylons. This seems like a really great idea at first, but what I quickly realized is that the TV show never made us connect with them and as a result I had trouble caring at all about their scenes. Most of the time I was just hoping my favorite human characters or “good” Cylons would get on screen and give me all those little interactions I talked about.

Purely as a BSG geek, there was some interesting new information to learn. But bottom line? I was bored. I wouldn’t recommend this to anyone. I’m really sorry to say it too, because I and so many others were looking forward to it.

Dollhouse finished its first season with pretty poor ratings, with Fox deciding the only reason to keep it on air is DVD sales of Joss Whedon’s shows are always high. Fox did decide to trim some fat, though, choosing to cancel the more expensive Terminator: The Sarah Connor Chronicles instead. The second season premiered a few weeks ago to even worse ratings, at the bottom of the charts with the second episode even being beat by reruns.

Apparently there is now real talk of cancelling Dollhouse mid-season. I can’t say I’m surprised. People have blamed the Friday night death slot, while others blame losing Terminator: TSCC as a lead in.

Myself, I just don’t think it’s a good show. I’m a huge fan of Joss’ other shows — Buffy, Angel, and Firefly were all frakkin’ fantastic, along with all of the comics. Dollhouse just doesn’t cut it, though. I really can see the potential for an interesting story, but it has thus far been taking the irritating Lost approach of only spending 5 minutes of every episode to advance the overall story. This might work in Lost, but with Dollhouse introducing new characters (though played by the same people) every week it becomes very hard to invest in.

Most fans agree that the DVD-only budget episode “Epitaph One” is the best in the whole last season, and that doesn’t do much of any help if it was only on DVD. I had hope that season 2 would quickly advance the storyline into something more like “Epitaph One”, but so far we’ve just had more wasted monster-of-the-week time. Terminator: TSCC was an incredible show, I think much better than Dollhouse, and it really saddens me to know it died for this. Unfortunately due to the way TV is filmed so far ahead of when it airs, there’s not much quick adjusting that can be done to save it either.

Should Dollhouse be saved? I think Joss would eventually be able to pick up the pieces to make it interesting, but I can’t help wonder if it would be best to just cut it now and let him move on to something new. Preferably with more Amy Acker hint hint.

Nisei week is upon us — I’ll be hanging out at the JACCC plaza this weekend, for the Next Generation REMIX concert and the Taiko Gathering. Last year was a blast, I can’t wait to see what they’ve got in store this year.

Sadly it seems NSU Modern won’t be returning this year, but the REMIX concert will still feature some other great artists — Camile Velasco, Bambu, EyeASage, TAIKOPROJECT, Sibrian, Kacie Yoshida, and DJ ET. Last year the more mature performances were reserved for later in the evening; assuming they do the same thing this year, it should be pretty kid safe.

The REMIX concert starts at 6pm on Saturday the 22nd, and the Taiko Gathering starts at 11:30am on Sunday the 23rd. Grab some karepan and mochi, and enjoy

I spent all day Saturday in the San Diego Convention Center, attending Comic-Con with my brother. Once again, an amazing experience.

The first thing we did was make a bee line to the SAE/FSM booth, where I picked up a copy of the Battlestar Galactica Season 4 soundtrack. After that was done, we took a quick walk around the rest of the exhibit hall. This is a pretty damned big exhibit hall, spanning the entire bottom floor of the convention center. With all the people there to push through, it takes about 10 minutes to walk from one end to the other.

While walking around the hall I happened to find Call of Cthulhu: The Card Game, with cover art done by friend Cyril Van Der Haegen. I mentioned this to the guy behind the counter, but he just feigned interest hoping I would buy it! Oh well.

After that I went looking for the Oni Press booth, where I bought my brother the first Scott Pilgrim book. He finished reading it before we left (he was not so interested in Ray Bradbury) so we went down to the floor again and he bought himself the next few books in the series. With any luck, I’ll have got my brother hooked on graphic novels! I also went to the Top Shelf booth hoping to pick up a copy of Blankets but they were all out.

The first panel we attended was for Dune, with Brian Herbert and Kevin J. Anderson. They were discussing their latest novel The Winds of Dune and commenting on the process of making a new book every year. I must admit, I have read many of the new Dune books and although they aren’t Frank Herbert material, I have enjoyed most of them (Sandworms of Dune being a notable exception for having a very shallow plot and invoking several dei ex machinis).

After that we headed back over to the SAE/FSM booth to get the CDs signed by Bear McCreary. We were first in line! At the same time, Bryan Lee O’Malley (author of Scott Pilgrim) was signing at the Oni Press booth — we went over there afterward but the line was so long that we didn’t care to try for it.

The Bioshock 2 booth was small — basically a small veiled closet with a gameplay trailer playing for 5-6 people at a time. But that trailer made the game out to look pretty awesome. You play the first big daddy, the only one with free will. You can take airlocks to go outside of Rapture into the ocean. You now make the choice to either harvest or adopt little sisters. Adopting them seems to store them inside your suit somewhere, it wasn’t too clear on that. You can take them out to have them harvest adam from certain bodies. While harvesting, you need to guard them from hoards of splicers. Then comes something new — your little sister says “Uh oh, I don’t think big sis wants me to play with you anymore”, and in comes the big sister — these are very quick, super-agile enemies that possess telekinesis.

The second panel we attended was that of Ray Bradbury. He talked of his fascination of space exploration and walking on the moon for the first time. Perhaps most interestingly, he claimed to have total recall of his entire life. He said he was a 10 month baby, and developed hearing and sight within the womb. He claims his memories go back to being in the womb and after birth.

The final panel was for Human Target, the new TV series from Fox. In the show, our main hero (Christopher Chance) gets hired by rich people to solve any problems or threats against them. He is a very intelligent detective, impersonator, and all-around bodyguard. It stars Mark Valley as Christopher Chance, Jackie Earle Haley as Guerrero, and Chi McBride as Winston, with the score done by Bear McCreary. We got to screen the pilot before a short Q&A with the stars and producers.

Human Target has some pretty awesome action scenes, pretty similar to the Bourne series. It is some of the best action I’ve seen on TV for as long as I can remember. The acting is stellar, and the score sounds somewhere between Caprica and The Sarah Connor Chronicles. The characters have a light quirkiness similar to Pushing Daisies. The show is being billed as a procedural with a light sprinkling of serial, which is pretty typical for Fox. They want to give you a new action movie every week. Unfortunately, the pilot had a lot of faults that I hope they steer clear of in the series.

For one thing, the characters are too flawless. The main characters — all antiheroes it seems — always know exactly what to say, have a perfect plan, and immediately know exactly what to do to keep the plan on track (pun!) from any curveballs. Not once did it show an imperfection, and I had a hard time believing or relating to them because of it.

Another problem I saw was with Guerrero — he had no introduction, and just sort of imposed himself on the story. He is a computer hacker, but it never really showed that process. Most of his scenes were just quick cuts to him revealing some new information that he hacked off screen.

I had planned to meet some friends while I was there, but that was a pretty big failure all around. One didn’t pick up his phone. Another didn’t wake up until really late and my phone died in the middle of a conversation with him. The one guy I was able to meet I didn’t do anything with because he spent the whole day playing D&D.

The BBC America booth featured a lot of Doctor Who trinkets and apparel, with lots of advertising for the new Torchwood mini-season Children of Earth (which is pretty good, by the way — go watch it!). There was an awesome life-sized Dalek on display.

We spent the two hour ride home listening to the Battlestar CD, and it didn’t disappoint!

Bear McCreary has announced track listings and cover art for the dual-disc BSG Season 4 Soundtrack. The first disc includes the haunting “Gaeta’s Lament” sung by none other than Alessandro Juliani (Felix Gaeta) himself, two tracks from my favorite episodes of the season “The Oath” and “Blood on the scales”, and the second disc is the incredible entire score of the two-hour finale “Daybreak”.

I can’t wait!

The first of the previously mentioned Battlestar concerts occurred this last weekend in downtown LA. Truly an amazing show, I don’t think I’ve ever been as musically satisfied as I was in those three hours. I met a friend and his family there and we all had a blast!

BrEndAn’s Band opened the night with four songs, including the rocking “Ain’t We Famous” which can be heard on the Terminator: The Sarah Connor Chronicles soundtrack, and “When Will the Work Be Done” which can be heard on the Battlestar finale “Daybreak”.

A night of firsts! We were the first to see performances of “Gaeta’s Lament”, “Dreilide Thrace Sonata No. 1″, and “Prelude to War”. “Gaeta’s Lament” is the song that Gaeta sings near the end of season 4. It will be the first track of the season 4 soundtrack. “Dreilide Thrace Sonata No. 1″ is a piano piece we hear from Starbuck’s father in the show, but never get to hear the full thing. Finally, “Prelude to War” is a incredible action piece from season 2 that Bear thought was too complex to perform in concert, but massaged it into something that would work. The violins were infused with metal, a very noticeable difference from the song on the soundtrack — but not a bad one.

The night ended with a surprise appearance, with Katee Sackhoff making a very stealthy cameo on the piano to lead us into the finale, “All Along the Watchtower”. Just like she did in the show.

The opening act:

• “Ain’t We Famous”
• “United States”
• “Light Years”
• “I Got Love”
• “When Will the Work Be Done”

And finally the set list:

• “A Distant Sadness”
• “Precipice”
• “Fight Night”
• “Gina Escapes”
• “Caprica”
• “Gaeta’s Lament”
• “Roslin and Adama”
• “Wander My Friends”
• “Dreilide Thrace Sonata No. 1″
• “Baltar’s Dream”
• “Dirty Hands”
• “Lords of Kobol”
• “Prelude to War”
• “Kara Remembers” / “Heeding the Call” / “All Along the Watchtower”
• “Black Market” (Encore)

Videos thanks to Films in Focus. You can find a lot more information and pictures on Bear’s blog.

Check out this cool pic!

That’s me on the right, Bear in front of me, friend from Quake “ShakaUVM” in the back, and his family on the left.

I went to a signing event yesterday, with 15 or so big name composers. I talked with a lot of cool people: Michael Giacchino (Lost, Star Trek movie, Up), Stu Phillips (Battlestar Galactica, Knight Rider), Ron Jones (Superman, Star Trek: TNG, Family Guy), and John Murphy (28 Days Later), that I can think of. Probably one or two I can’t remember right now (I’ve been awake for a long time). I’m ashamed to admit if there wasn’t info displayed for them, I would not have known who most of these guys were.

The whole reason I came, though, was to meet Bear McCreary — composer of the modern Battlestar Galatica. It was a real treat to meet him, and as a surprise his beautiful wife to be Raya Yarbrough (who can be heard on some BSG tracks) was there too.

While I was there I picked up an advance copy of the Caprica soundtrack and got it signed. I’m really enjoying this album — it feels like BSG, yet at the same time something completely different. Like the show, BSG’s music was very character-driven. Nearly everyone had their own theme, and what you’d hear on scene would either be a variant of a theme or action music. Caprica’s music feels much more scene-driven. You can feel drama and emotion in them, often times picturing a scene to go along with it. It is more suspenseful, more sorrowful, more adventurous.

It was also much softer than others. The TT Dynamic Range Meter averaged around 12, with some tracks going as high as 19 — compare this to the new Green Day album which manages a measly 6. ReplayGain actually wanted to raise the volume — something I haven’t seen in a long while! This is really cool to listen to on good headphones

Now, on to the concerts.

I love Avatar: The Last Airbender — such a fantastic cartoon. USA Today posted some shots of M. Night Shyamalan’s live action adaptation The Last Airbender. I’ve never seen a kids movie from Shyamalan, so I’m not sure if that is good or bad for this. His past work has been fairly hit or miss with me. But I have hope, and apparently Nickelodeon does too — they already signed him on to write and direct a full trilogy.

Noah Ringer, who plays Aang, actually holds a black belt in taekwondo. Dev Patel of Slumdog Millionaire fame will play Prince Zuko, and he also has a black belt in taekwondo. I’m interested to see how Shyamalan puts that to good use. This first movie will only be book one, so unfortunately Toph won’t be around.